Sonny Chiba Festival Day 4: June 21st (Saturday)
Saturday. Back in Tokyo after a few days of normal life. The festival kept running meanwhile, but I didn’t miss any movies because those were second or third screening days for films I had already seen during my last stint. My original plan was to land in Tokyo and first catch a couple of films in Jinbocho Theater before heading to Cinema Vera for only one Chiba film, but I ended up changing my plan and watching both of the evening’s Chibas.
Bullet Train (Shinkansen daibakuha) (Junya Sato, 1975)
My decision was a good one. Though I had seen Bullet Train – Junya Sato’s predecessor to Speed (1994) – before, I didn’t recall it being this good. The excellent thriller stars Ken Takakura as a criminal whose gang plants a bomb on a bullet train and demands money from the government. If the speed falls below 80km / hour, the train will explode. The police do their best to track down the criminals without giving in to their demands, while the desperate train pilot (Sonny Chiba in a rare 1970’s non-action role) is trying to keep his cool. Tension begins to rise among passengers as the train skips its designated stops.
Sato was a solid director who was usually more interested in storylines than exploitation (there are some exceptions, though). Here he does fine job helming a character and story driven thriller, even if there are a couple of silly turns and too many flashbacks used as storytelling device. The film’s biggest merit is its well crafted villains, whose acts are understandable though not acceptable. Takakura does excellent job making his character human, and becomes the film’s central character despite being the villain. Action scenes are few, but expertly executed. The ultra-funky 1970s score feels out of place at first, but eventually becomes a seminal part of the film and makes one wish all good movies had one like this. Supporting roles feature a whole variety of stars from Takashi Shimura to Etsuko Shihomi and Yumi Takigaw, sometimes only getting a few seconds of screen time.
Hepcat in the Funky Hat (Funky Hat no kaidanji) (Kinji Fukasaku, 1961)
The evening’s second movie was one of Chiba’s very first starring roles: Hepcat in the Funky Hat. This energetic little movie was the third collaboration between Chiba and director Kinji Fukasaku. The two had already made two Drifting Detective movies together, the first one being Fukasaku’s directorial debut and Chiba’s first starring role. Fukasaku and Chiba then went on to work together a total of 20 times. When Chiba made his own directorial debut with Yellow Fangs (1990) Fukasaku served as his advisor.
Chiba plays a happy-go-lucky son of a detective, who constantly manages to get himself in the middle of someone else’s trouble, but comes out saving the day. Chiba is full of youthful energy, does some athletics, tries to charm the ladies (without much luck), and kicks a little bit of ass. Some of his goofier acts resemble Hong Kong stars like Alexander Fu Sheng in their more comedic roles in the 1970’s – whether that’s a good thing or not is debatable.
Hepcat in the Funky Hat also showcases the madcap energy Fukasaku later become famous for. The cinematography is wild and innovative, edits come fast and dialogue is delivered at lightning pace. There’s a striking difference between this and some other detective films of the same era, like the Police Department Story films in which Chiba co-starred the same year, or even Fukasaku’s own Drifting Detective films. Hepcat in the Funky Hat runs less than an hour and was originally played as a b-feature for a bigger budgeted a-film, but would probably have been at least 20 minutes longer in the hand of any other director.
In addition, the film deals with the theme Fukasaku explored throughout his career: youth vs. older generations. Having lived through the horrors of war and having felt betrayed by the nation and the older generations, this theme got increasingly violent cinematic incarnations in Fukasaku’s later classics like Under the Flag of the Rising Sun (1972), Battles without Honour and Humanity (1973) and Battle Royale (2000), where army, yakuza and the government respectively took to roles of rotten authorities. Hepcat in the Funky Hat, however, is a celebration of youthful energy, passion, and early 1960’s youth culture. Its young heroes leave the old men eating dust at every turn!